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sirosis:

“dressing right is de rigueur,” self service 2004photography by david armstrongstyling by panos yiapanis

sirosis:

“dressing right is de rigueur,” self service 2004
photography by david armstrong
styling by panos yiapanis

(via bloomplague)

aestheticanxiety:

Valerie Snobeck

aestheticanxiety:

Valerie Snobeck

(via meinelieblingsfarbe)

(Source: newkidsonmycock11, via newkidsonmycock11)

imprecise:

Ignacio Rojas

imprecise:

Ignacio Rojas

(via deadvibe)

butchrag:

obviously,

I LOVE THIS BLOG.

(Source: brenda2000613)

referenceartgallery:

Julia Dault
Moonwalk, 2012Acrylic on canvas, acrylic on vinyl, vinyl, acrylic on vinyl24 x 18” (61 x 45.7 cm)

referenceartgallery:

Julia Dault

Moonwalk, 2012
Acrylic on canvas, acrylic on vinyl, vinyl, acrylic on vinyl
24 x 18” (61 x 45.7 cm)

(via moonratus)

(Source: saiclibrary, via meinelieblingsfarbe)

(Source: siamesecats, via neptuna-deactivated20130519)

(Source: nipplelesscage, via corpulence)


Nick van Woert
 Fool’s Gold, 2008
plaster, wood, melamine, plexiglas, polyurethane sealant, drywall paste
69 x 12 x 12 in

Nick van Woert

Fool’s Gold, 2008

plaster, wood, melamine, plexiglas, polyurethane sealant, drywall paste

69 x 12 x 12 in

(Source: mitjaissick, via microvvaves)

(Source: gairo, via ditto)

(Source: 690yen, via theniggaskaramazov)

crematorie:

Linus Bill -  Oh, Oh, Oh, Biko - 2010, Silkscreen and Acryl on Paper

crematorie:

Linus Bill -  Oh, Oh, Oh, Biko - 2010, Silkscreen and Acryl on Paper

(via deadvibe)

vroomheid:

Comme des garçons, 1988
“Of course there are business as well as creative reasons for the Comme des Garçons style. The point of a remarkable interior is to evoke such a strong sense of identity that even the most humble purchase - a belt or a pair of socks - brings with it some of that underlying identity. The contrast between the textures of the garments, hanging on neatly spaced racks that read like sculptural elements and the cement wall is all part of the establishment of the uniqueness of the Comme des Garçons label. To put too many garments on display can diminish their impact, hence the company’s first Paris shop had on show less than half the stock a conventional high-fashion retailer would have installed. In environments with so few distractions, the customer can hardly fail to be aware of the subtle qualities of the clothes.”
from rei kawakubo and comme des garçons

vroomheid:

Comme des garçons, 1988

“Of course there are business as well as creative reasons for the Comme des Garçons style. The point of a remarkable interior is to evoke such a strong sense of identity that even the most humble purchase - a belt or a pair of socks - brings with it some of that underlying identity. The contrast between the textures of the garments, hanging on neatly spaced racks that read like sculptural elements and the cement wall is all part of the establishment of the uniqueness of the Comme des Garçons label. To put too many garments on display can diminish their impact, hence the company’s first Paris shop had on show less than half the stock a conventional high-fashion retailer would have installed. In environments with so few distractions, the customer can hardly fail to be aware of the subtle qualities of the clothes.”

from rei kawakubo and comme des garçons

(via bloomplague)

(Source: pradaphne, via psychic-teen)

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